By Adam Ludwig
Crossing Over: Art and Science at Caltech, 1920–2020, curated by Claudia Bohn-Spector and directed by Peter Collopy, presents an exhibition by way of a scavenger hunt. Funded in part via the Getty Foundation’s current PST ART: Art and Science Collide initiative, the exhibition unfolds across six sites at the hermetic institution. In it, materials from Caltech’s archives are presented alongside work by artists such as Helen Pashgian, Lita Albuquerque, and Lia Halloran in spaces that are usually reserved for scientific research and instruction. In wielding scientific materials as and alongside aesthetic ones, the exhibition makes all of Caltech into a playground for various forms of observation.
Read more at The Brooklyn Rail.
The artists in Crossing Over were inspired by a century of monumental discoveries from the scientists who have made Caltech one of the world’s most elite research institutions.
By Renée Reizman
The artists — Halloran, Lita Albuquerque, Jane Brucker, Shana Mabari, and Helen Pashgian — were inspired by a century of monumental discoveries from the physicists, engineers, chemists, and other scientists who have made Caltech one of the most elite scientific research institutions in the world. The show is divided into sections (The Infinite Lawn, Time Stream, and Powers of Ten) to cluster technological advancements into their own themed galleries, particularly in astronomy, physics, and chemistry — but that’s by no means every discipline covered in this show.
Read more at Hyperallergic.